WRITE - TRAVEL AND FICTION: INTRODUCTION
WRITE: TRAVEL
The struggle to communicate
The meaning of fado
Pay it forward
In Avignon…
A slow day
Lourmarin and Cucuron
Leaving Arles
A tale of two restaurants
Back ‘home’
Martine wants to be in a novel
In Portugal
Fado at Coimbra
Running away
Solstice
The strange joys of the anti-vacation
El dia del diablo
Air-guitar
The safety-guys would have kittens (or goats)
That volcano’s gettin’ kinda busy…
Tepoztlan
When leadership takes risk
Full moon in Tepoztlan
Three EA gigs in Mexico
Where is the information when we need it?
Pointless paperwork
- Implications for enterprise-architecture
“I die inside…”
Enterprise-architectures for the real world
- Implications for enterprise-architecture
Real-time drawing
Happy Whatever!
Sometimes the small details do matter
Exact Lives Save Change
WRITE: FICTION
On fiction and EA - Marco’s plan
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
On fiction and RBPEA - ‘Chance and the Institution’
- Chance and the Institution
Viner Journey novel - first draft
Fiction: Elizabeth’s question
Fiction: Alan: The real cause of war
Writing-exercise: Utopia and dystopia
- 1. Meanings of ‘utopia’ and ‘dystopia’
- 2. Utopia and dystopia as story-drivers
- 3. Utopia and dystopia as background milieu
- 4. An ambiguous utopia: utopia-for-some
- 5. From utopia to dystopia
- 6. Utopia or dystopia - personal, social, or somewhere between?
